Sunday, August 2, 2009

The World of the Play

Mary Chase did not win her Pulitzer Prize just because she wrote a charming comedy about a dysfunctional family and a man who sees a rabbit walking on two feet, but more so because she was able to encompass the entire sense and energy of the 1950s into a three act play about a dysfunctional family and a man who sees a rabbit. The 1950s was a bustling time to be an American; not only was the end of World War II beginning to take its wondrous effect on the country, but America was now, for the first time in their short history, the richest and most powerful country in the world. People walked around with complete sense of American pride, and it was the time to celebrate being who you are, and that includes people who see a six-and-a-half feet tall rabbit.

American Pride is a term that is almost synonymous with the ending of WWII. Women started to get a feel for the work force, numerous economical advances led to higher annual salaries, and doctors and scientists were beginning to advance medicine to a level it had never been to before. Maybe one of the biggest changes, however, is the social scene of the country. People were tired of being disconnected from the truths of the world, and couldn't necessarily get all of their information from the newspapers (it wasn't until the mid 50's that TVs appeared in a majority of houses), so countless numbers of clubs and organizations, ranging from the Country Club to the PTA were being formed to keep people connected and busy. Along with all these clubs and organizations, of course, comes the beloved socialite status, a craze that, unfortunately, some of the people I know are aspiring to attain thanks to shows like “The Hills” and “The Real Housewives: New York, Las Angeles, Atlanta, AND New Jersey. It was a time where it was easier and easier to be part of the upper class, and the rich upper class often gathered for tea at high noon or for the Wednesday Forum.

Not only were people in America richer than they had ever been, but they were also healthier than ever. Penicillin was introduced to the world, helping many people with some basic and some more serious problems, the first open heart surgery had occurred, electric shock had been seen to revive patients from cardiac arrest, and the pacemaker was invented. It was the golden era of medicine, too. The trust in doctors was increasing as diseases like Polio and the Yellow Fever were beginning to dissipate. Replacing these fears, however, were things like Health Spas or sanitariums, which are mental health facilities to be used by anyone who has mental distress, no matter how small or how large. The treatment process is decided on a case-by-case situation and treatment can range from pills to electroshock therapy, but they helped people feel “normal” again.

With all that said about the wonderful era of this play, not everything could go according to plan. After the Second World War, all was quiet on the western front, but a little too quiet. In 1950 Senator Joseph McCarthy claimed to have a list of 205 federal employees who were working for the Communist Party. Along with the idea that Communists could infiltrate the American government, there was a sense that there were Communists amongst the walking public. This invisible fear, the world's second Red Scare, eventually led to the Cold War, but more importantly to the disgust people have towards Harvey when they meet him. Chase is not only reminding the audience to this invisible fear that surrounded the early 1950's, but to exploit it and laugh at the silliness. However, she never expresses wether this “invisible” rabbit is real or not—it's left for you to find out!

Monday, July 27, 2009

Production History


Southwest Missouri State University
Tent Theatre
Springfield, Missouri
2002
Director: George Cron
Scenic Design: Bert Scott
Costumes: Brad Ferguson

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Minnesota State University Theatre
Ted Paul Theatre
November, 2008
Mankato, Minnesota
Directed by: Paul Finocchiaro
Scenic Design: Amanda Rozmiarek
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The MIT (Mass. Institution of Technology) Community Players
Kresge Little Theatre
Cambridge, MA
May 2001
Directed by: Eric Lindblad

The joy of Harvey lies not in the story, but in the lovably flawed characters created by writer Mary Chase a half-century ago. By the end of the play, it is impossible not to fall in love with Elwood and equally hard not to believe in Harvey.

Devdoot Majumdar, 2001
http://tech.mit.edu/V121/N26/harvey.26a.html
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Woolly Mammoth Theatre Company
Woolly Mammoth Theatre
Washington D.C.
November 1987
Directed by Jayme N. Koszyn
Costumes: Rosemary Pardee-Holz
Lighting: Lewis Folden

If "Harvey" had been written in the last 15 or 20 years, I dare say, he'd get the shot. The play, however, is clearly of another age. America was just coming out of World War II; the rights to life, liberty and the pursuit of happiness had been successfully defended against the forces of totalitarianism. The world was not only becoming safe again for democracy, but for kooks, too. And God bless 'em.
by David Richards, Washington Post
November 20, 1987
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Laguna Playhouse
Laguna Playhouse Theatre
Laguna Beach, CA
July, 2003
Directed by: Charles Nelson Riley
Set Design: James Noone
Lighting Design: Ken Billington

She plays Veta, perplexed sister of Elwood P. Dowd (Charles Durning), a gentle alcoholic whose best friend, Harvey, is an invisible six-foot rabbit. Unlike Josephine Hull, who originally presented Veta as a dithering eccentric, Van Patten's interpretation has a tart, tough and modern edge. She sets the plot in motion with a desire to commit Elwood to a sanitarium when his obsession with Harvey threatens to destroy the marital chances of her single daughter, Myrtle Mae (Jill Van Velzer).


James Noone's stylish, conservative set provides further balance by contrasting with the nonstop zaniness. Affecting sequences that show Elwood expressing affection for Harvey are enhanced by Ken Billington's lighting, which darkens as Elwood speaks and transports us to a different time and place.

by Joel Hirschhorn, 2003
LEGIT Reviews, Variety
http://www.variety.com/review/VE1117921279.html?categoryid=33&cs=1&query=HArvey+by+Mary+Chase
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New Harmony Stage
Murphy Auditorium
New Harmony, IN
July, 2009
Directed by Lenny Leibowitz
Set Design: Tijana Bjelajac
Costuming: Shan Jenson

Shan Jensen's sumptuous costuming and Tijana Bjelajac's beautiful set reflected the period and spirit of the show, and a revolving platform provided a smooth solution to scene transitions.
Roger McBain, courierpress
http://www.courierpress.com/news/2009/jul/11/harveys-charm-shines-through-on-new-harmony/
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La Habera Depot Theatre
La Habera Depot Theatre
La Habera, CA
March, 1993
Directed by Larry Blake
Set and Costumes: Larry Watts
Lights: Brad Steward

All the near-slapstick arch looks, loud voices and antic mannerisms don't leave the play much room to breath. We're supposed to be seduced by Elwood's refusal to conform to society's narrow idea of what is correct and sane. He's plenty happy, thank you, just digging imaginary Harvey and loping along beside him through life's tiny adventures.
Engle makes his first entrance with a goofy countenance that lets us know that Elwood's as harmless as that bunny of his, that he's a great guy and that everybody should just leave him alone. So what if he's crazy? Chase's obvious message is that we need more craziness in this world, especially this benevolent kind.
Mark Chalon Smith, LA Times
http://articles.latimes.com/1993-03-26/entertainment/ca-15294_1_la-habra-depot-theatre

Saturday, July 25, 2009

Statement on Non-Traditional Casting

In the original Broadway production of Harvey, the entire cast was white, and the movie was cast the same way. However, given a different time setting other than the 1950's, I can see the entire cast being of a different race. My show is set in the 1950's though, so I have to take the particular time period into consideration. 

Unfortunately for America the 1950's were tainted with racism towards nonwhites, particularly the African Americans. It wasn't until 1960 when African-American's gained complete equal rights in the eyes of the national government. To say that an African American family could be at the same socialite status as the Dowd's, throwing big social parties, being parts of many country clubs, being raised with old money, etc..., would be quite a long stretch. Also, Veta makes references to her grandmother coming over by ox team and establishing the Wednesday Forum.

While the Dowd's are a little out of the question in my opinion, I feel that every other character in the show could be cast could be cast as a minority. Everyone else is merely a pawn in the Dowd's world, so the particular details about how a black man or hispanic man is a doctor. The same rules apply for the nurse, the maid, Wilson, and the other ladies that chime in on occasion. And when it comes to casting a female in a male role, the only place that could occur is with the character E. J. Lofgren. All we know about the character is that he drives a cab and has a brother. Everyone else is in some sort of romantic endeavor, and I don't think I would want to switch any of the genders due to that fact.

Fairy Tale and Plot Summary

Act I Scene I
Inside the Dowd mansion
Veta Louise Simmons and her daughter Myrtle Mae Simmons are hosting a gathering where a woman is singing a dreadful song in the background. The reason they are hosting the luncheon is because Elwood is out for the afternoon and can't show up to ruin their party by introducing his imaginary friend/bunny rabbit, Harvey. After they rejoin the party, we see Elwood enter the house with what seems to be an imaginary friend. Elwood retreats to his room and Veta returns with a guest who is looking for Elwood. Elwood reenters and introduces Harvey to the guest who immediately freaks out and runs away.

Act I Scene II
Inside Chumley's Rest
Veta is sitting at the desk with Nurse Kelly telling the nurse about Elwood's condition (Harvey sightings). Dr. Sanderson, Dr. Chumley's younger assistant, comes out to talk to Veta as well. Sanderson concludes that Veta is the crazy person and sends Wilson to catch her and admit her instead of Elwood. Elwood then has a conversation with Dr. Chumley and ends up making evening plans with him. In the meantime, Harvey ends up wondering off, and Elwood is on a journey to go and find him.

Act II Scene I
Directly afterwards in Dowd 
Masion, Myrtle Mae is showing the house off to some tenants. Judge Gaffney shows up saying he received a panic call from Veta, and he was just coming to see what was happening. Veta then arrives and explains of the torment they put her through at Chumley's Rest and that they admitted HER instead of Elwood! They want to admit Elwood so Veta can own the estate. They leave and Elwood shows up with a painting of him and Harvey and makes a phone call to Dr. Chumley's wife looking for Harvey. 

Act II Scene II
During the Evening, Chumleys Rest
Elwood is back at the sanitarium after his evening out with Chumley and Harvey. Elwood explains to Wilson, Sanderson, and Nurse Kelly what happened in the course of the evening, and says that Chumley and Harvey got into an actual debate. Also, he tells the story of how he and Harvey met. During this conversation, Dr. Sanderson decides to admit Elwood into the sanitarium. Chumley then comes out from his hiding place and does not want to say who he's hiding from. Chumley retreats to his office, but as the lights are dimming, we see Harvey walk into Chumley's office.

Act III

Chumley comes screaming out of his office just as the judge, Myrtle Mae, and Veta come back into the clinic. Everyone at this point is seeing Harvey, and Veta tells the doctors to give him the formula 997 to make Harvey just disappear forever. Elwood decides to go take it because it's what Veta wants. The cab driver that brought Veta there comes barging in, stating that he wasn't paid for his trip. After he calms down a little bit he explains that he drives people like Elwood to and from the clinic when they are given the formula 997. He says that people are never as pleasant as they used to be after it. This makes Veta stop the procedure and Elwood, Veta, and Harvey, whom Elwood has finally located, leave as one big happy family. 

Plot Summary, brought to you by wikipedia.com

The story is about an affable man Elwood P. Dowd and his imaginary friend Harvey, a six-foot, three-and-one-half-inch tall rabbit. When Elwood starts to introduce Harvey, a pooka, to guests at a society party, his society-obsessed sister, Veta, has seen as much of his eccentric behavior as she can tolerate. She decides to have him committed to a sanitarium to spare her daughter Myrtle Mae and their family from future embarrassment.

When they arrive at the sanitarium, due to a comedy of errors, the doctors commit Veta instead of Elwood, but when the truth comes out, the search is on for Elwood and his invisible companion. When he shows up at the sanitarium looking for his lost friend Harvey, it seems that the mild-mannered Elwood's delusions has had a strange influence on more than one of the doctors, including renowned Dr. Chumley, his medical partner Dr. Sanderson, and the head nurse Miss Kelly.

Only just before Elwood is to be given an injection, Dr. Chumley's Formula 977, that will make him, as his taxi driver says, into a "perfectly normal human being; and you know what bastards they are!" does Veta realize that she'd rather have Elwood be the same as he's always been — carefree and kind — even if it means living with Harvey the pooka.



Thursday, July 23, 2009

Images


This picture represents everything Elwood is


Outside of it--a normal looking facility. I imagine it to not look so abandoned...


Some hipsters hanging out at the "old Sanitarium." The large windows on both sides is what is described, but instead of the leading outside it's more-or-less a wall of "sound proof" windows. The stripes on the floor are also kinda captivating.








Image of a Pooka




Woman's dress--notice perfect hair and white gloves! More along the lines of Veta Simmons



I'm a Little Buttercup
Sound clip of "I'm a Little Buttercup"


















In the beginning of the show, the Dowd residence is draped with smilax.




















These classy men are hanging out near an ambulance in 1950. Notice the hats (particularly the man in the center to the right of the man in the dark suit). I know it is an ambulance, but the hat looks perfect for, say, a cabbie.
















An archway over a town called Reno, VA. I imagine this to be very similar to where Elwood enjoys going (and also kinda get a glimpse at where Harvey could be lost). Notice the HAROLD'S CLUB sign, and also the pride they have in being the littlest big city.


















A picture of HMS Pinafore--Looks like opera style singing.















Here is a group of older teenage girls. Notice how they look more gawky, geeky, and frumpy. Myrtle Mae is definately gawky and frumpy. HAIR STYLES and GLASSES
This is a nurse (actually a WWII army nurse). Notice the hat and the straight white dress.

Monday, July 20, 2009

Macro View

Racism in America during this time 
In the 1950's, the Jim Crow Laws still rang true in the south. Separate but equal was still practiced for another fifteen years. This plays a huge toll on not only casting the show, but it also shows the extent of Elwood's kindness if, say, the cab driver were a black person. It also plays into the elitist attitude of Veta at the time because women will never be as snooty as they were between the years 1900-1950, and I've watched a lot of Real Housewives to know how present day snooty women act.

Post WWII effects
WWII had been fought and dealt with, and it was right at the beginning of the time where women were beginning to enter the workforce. This could play into effect when it comes to Nurse Kelly. She could have been fresh from the war front. Also, it gives the socialite women a certain status when they talk about their war hero husbands. 

Threats of Communism
This show also takes place right before the Cold War. Joseph McCarthy and his McCarthyistic views were running wild in the United States at this time. The Second Red Scare was amongst the US, and people were down right skeptical of strange things. This could very well be what Harvey himself represents--this fear that we all have living within us.

Downfall of music before
The music choices noted in the script, "I'm a Little Buttercup," in particular represents the monotonous music of the time. Elvis Presley had not quite  invented Rock & Roll, so people were stuck with the standards of the time.

Financial status of the US in the 1950's
Directly following WWII, the United States became the richest country in the world. The credit card was invented, and massive corporations also began to thrive. The McDonald's chain began in the early 1950's. Basically, the economy was in full bloom, and Americans were ravishing in their richness.

Baby Boom-Post WWII
This can very well be the reason for having Myrtle Mae be part of the show at all. During this time, there are an estimated 77.3 million Americans who were born during this demographic boom in births.

Medical advancements of 1950s 
Medicine was on a huge rise in the 1950's. Mainly, Penicillin was invented and that triggered the beginning to finding hundreds of antibiotics. This plays a part in the trust that Veta has for Dr. Chumley. He has this huge reputation and wants nothing less than the best to cure her brother of this affliction. Even though he is a psych doctor, the faith in doctors was increasing.

Electroshock therapy
This was invented in 1930 and was widely used in the 40's and 50's. 1,000,000 people will undergo this therapy this year. However, in the 1940's and 50's, it was very common for patients to actually have seizures or have their bones dislocated during the procedure because they didn't issue the correct sedatives. This could very much be the reason for Veta's discomfort when she underwent the hydro tub therapy. 

Fashion of the 1950's
Women who worked around the house always dressed fashionably. Even though Leave it to Beaver is a little dated (1957), I imagine fashion not to have changed very much. Full skirts-with stiff petticoats or pencil skirts and sweaters. I imagine the Dowds to dress a lot like that.

Social Scene in the 1950's
Post WWII, many clubs and organizations were created to strengthen nationalism. Things like Girl Scouts and PTAs etc... were created to keep in touch. This plays a HUGE part of why both Veta and Elwood even are part of countless numbers of clubs and organizations ranging from Wednesday Forums to University Club to the Pinochle club even.

Wednesday, July 15, 2009

Character Descriptions

Elwood P. Dowd - 47 year old male who is best friends with a Pooka named Harvey. Elwood spent time being "oh so smart and oh so pleasant," and learned that it's best to be plesant. He is very kind natured and genuine with impecible manners. Lived with his mother until she died, and she left her estate to him. He enjoys an occasional drink and is a Taurus.


Veta Louise Simmons - Elwood's sister, 52 years old; embarassed by Elwood's friend Harvey (even though she feels she sees him sometimes). Rich, snobby, and is trying to con Elwood out of his estate money. She is a Leo.


Nurse Kelly - the nurse/receptionist of Chumley's Rest, 25. She is super sexy, but not a floozy! and is having relations with Dr. Sanderson. (see image at bottom)


Dr. Sanderson - 28, handsome and charming--perhaps the top of his med. school class; a real go-getter. He is having relations with Nurse Kelly.


Dr. Chumley - 60, head doctor at Chumley's Rest; pompus, confident, the best and he knows it!


Myrtle Mae Simmons - Veta's daughter and Elwood's niece, 17 years old, bratty and spoiled by Veta; she's on the astronomical "cusp"


Wilson - muscle man of the sanitarium, 25, a little dense; follows orders, but not without a little flack


Judge Gaffney - 60, stern and lawful, doesn't mess around. He is Veta's lawyer


Lofgren, the cab driver - your everyday run-of-the-mill cabbie, essentially the voice of reason. He, however, is upset about not getting his cab fare.


Mrs. Chumley - very kind natured high brow woman, 55, who just wants her husband to pay attention to her!

Mrs. Ethel Chauvenent - rich, snobby, gossiper, 55. She is charmed by Elwood, maybe because of his money, but is not entirely sure of the whole Harvey bit.

Maid, Miss Johnson - Veta's house maid.

Exegesis

...voice singing "I'm Called a Little Buttercup."

The song "I'm Called a Little Buttercup" is from the comic opera H.M.S. Penafor by composers Gilbert & Sullivan. This show had over 570 West End runs, and was the second longest running production of the times.
http://en.wikipedia.org/wiki/H.M.S._Pinafore#Songs_and_musical_analysis

"...the parlors and halls are festooned with smilax. "

festooned -"a conventional arrangement of flowers, foliage or fruit bound together and suspended by ribbons, either from a decorated knot, or held in the mouths of lions, or suspended across the back of bulls heads. The motif is sometimes known as a swag when depicting fabric or linen.

http://en.wikipedia.org/wiki/Swag_(motif)


Smilax is a type of plant with over 300 different species. It originally got it's name from the Greek myth of Krokus and the nymph Smilax. Though this myth has numerous forms, it always centers around the unfulfilled and tragic love of a mortal man who is turned into a flower, and a woodland nymph who is transformed into a brambly vine.

http://en.wikipedia.org/wiki/Smilax

He's a pooka.

Pooka, or PĂșca, is a creature of Celtic folklore, predominately in Ireland, Wales, and Scotland. The Pooka is a shape-shifting fairy that can take the form of a dog, horse, rabbit, goblin, goat, or in this case a rabbit, and is most commonly seen as having black fur and golden eyes. The Pooka has the power of speech and often advises or leads humans away from harm. OTHER CULTURES VIEW THE POOKA WITH RESPECT AS OPPOSED TO FEAR.

She's in the hydro tub now--

Submersive hydrotherapy
Hydrotherapy which involves submerging all or part of the body in water can involve several types of equipment:
Full body immersion tanks (a "Hubbard tank" is a large size)
Arm, hip, and leg whirlpool
Whirling water movement, provided by mechanical pumps, has been used in water tanks since at least the 1940s. Similar technologies have been marketed for recreational use under the terms "hot tub" or "spa".

http://en.wikipedia.org/wiki/Hydrotherapy#Effects_of_modern_medicine

The office in the main building of Chumley's Rest - a sanitarium for mental patients.

Not necessarily what you see in One Flew Over...but a sanitarium is a place for people to be brought back to mental or physical wellness. Patients could do hydrotherapy, have diets planned, enema's placed, etc... Different sanitariums had different levels of severity, but they were very commonly used by businessmen and the wealthy as a get away. However, it is still a hospital where doctors practice medicine.
http://scican3.scican.net/history2/sanitariums/national.htm
http://en.wikipedia.org/wiki/Battle_Creek_Sanitarium

Monday, July 13, 2009

BASIC FACTS

Play
Harvey by Mary Chase


Language: English

6 M 6 F

Movie Runtime - 1 hour 40 min
http://www.imdb.com/title/tt0042546/

Genre
A comic fantasy in 3 acts


"Born in Denver, Colorado in 1906, Chase remained in Denver her entire life. In 1924, she began her career as a journalist on the Rocky Mountain News, leaving in 1931 to raise a family. At the News, she started writing on the society pages, but soon became part of the news itself as "our little Mary", reporting the news from either a comic or a sob sister, emotional angle. In the 1920s, reporters typically worked in The Front Page tradition: putting in long hours, drinking hard, and stopping at nothing to beat the competition to a story. Running around Denver with photographer Harry Rhoads in a Model T Ford, she recalled, "In the course of a day, Harry and I might begin at the Police Court, go to a murder trail at the West Side Court, cover a party in the evening at Mrs. Crawford Hill's mansion, and rush to a shooting at 11pm."

Chase wrote Harvey (1944), which ran on Broadway from 1944 until 1949, becoming the 35th longest running Broadway show in its history. She also collaborated in writing the screenplay for the 1950 Universal pictures film with Jimmy Stewart. She also wrote the comedy Mrs. McThing (1952) ."

http://en.wikipedia.org/wiki/Mary_Coyle_Chase


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